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Zen Joints

by Babylon Squeak

/
1.
WHISTLES & BELLS I’m bagging spuds In rotten cotton ragged duds Name badge, plastic hat and snood The future is beige For minimum wage Knock-down prices for knocked-up food Neither bright nor adroit I’m just a slug to exploit: Mr Hackman gets his cut of sweaty meat But I just won’t quit ’Cos I get my daily hit Of the miss across the street She works in Whistles & Bells I’ve got an ice cream’s chance in Hell I’m a perfect defect and she’s terribly nice … Oh well… Pushing dirt across the floor Dream this broom was my amour We’d dance on air like Ginger & Fred If this trolley were a car A till would be a bar And this conveyor belt a hotel bed If I weren’t so un-bold I’d dart across the road And tell her almost exactly how I felt (But my) yellow nerves can’t be soothed I shall not be moved She makes my heart stop and my legs melt She works in Whistles & Bells I’ve got an ice cream’s chance in Hell I’m a perfect defect and she’s terribly nice She works in Whistles & Bells One thought rattling in my brain cell She can have my love at a discount price
2.
TUPPENNY BLUES What’s the cost of getting the Tuppenny Blues? Green-eyed, pink, panting, inspecting the clues And the pennies I’ve saved Of the black and red hues Would I ransom them and be a king Wearing paper bag shoes? Gramps’ failing earsight set on ‘Shilling The Rubes’ Kids not dived for scubas since they sprouted pubes The bird’s break is up the Swannee And sex is down the tubes Confessin’ my obsession, I choose to chase The Tuppenny Blues Keep frank away from my Tuppenny Blues A no-mark of approval, the shock’d blow my fuse Going ape for Gibbons’ Booty Guerrilla moves, I Strand accused Driving me bananas, now and mañana With the Tuppenny Blues
3.
R&R 08:07
R & R Repetition. What’s with all this repetition? Is this the chorus or the verse? What’s with all this repetition? Write a middle-eight We must be halfway through You know that it’s not too late Write a middle-eight We must be halfway through You know that it’s not too late C’mon boys, it’d be great Write a middle-eight. What’s with all this repetition? Is this the chorus or the verse? Is this the chorus again or the second verse? What’s with all this repetition? Is this song over yet? Not yet. Write a middle-eight We must be halfway through You know that it’s not too late Write a middle-eight We must be halfway through You know that it’s not too late C’mon boys, it’d be great Write a middle-eight. Repetition. This song is long enough For all of us But it ain’t us who’s gonna stop. What’s with all this repetition? What about your reputation? Is this the chorus or the verse? Is this song over yet? Yes. Repetition. Write a middle-eight We must be halfway through You know that it’s not too late Write a middle-eight We’re halfway through It’s not too late C’mon boys, it’d be great Let’s have a middle-eight. Repetition. Is this the chorus again or the third verse? Repetition. This song is long enough For all of us But it ain’t us who’s gonna stop.

about

Three types of obsession. Collect the set!

credits

released September 22, 2017

Written, performed and produced by Paul Hamilton & Andy Thomson

BABYLON SQUEAK:
Andy: guitars, bass, keyboards, string arrangement (‘Whistles And Bells’), drum and sequencer programming (‘R&R’)
Paul: percussion and voices

Special Celebrity Chef: Si Beex - magic mushroom toast topping on ‘R&R’

Recorded at Toppo Towers and The Hamilslum, May and August 2017
Mastered by Si Beex at the Vulnavium, September 2017

Artwork: Halal Mop Unit


BYTE 21
© Smoking Ant Records, 2017

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